In the 80s, I made ceramic vases using the pinch-pot method.

The fact that I pinched small balls of clay as I built these vases from the base to the top, the scallops, oftentimes with my fingerprints (thumb and index) on them, created a somewhat personalized effect.

The one in the picture took me hours to complete. The design was my own. Since I had to contend with the elasticity of the clay and, importantly, gravity, the development of the form was very organic. Not knowing the exact dimensions, I believe it was about a foot and a half tall.

After bisque firing of the vase (first firing of pottery before addition of glaze), I applied a slurry and powder form of iron oxide on it. Effort was made to concentrate the oxide on sections that connected the scallops, contours, base, and top. The smooth and rectangular section on the front that had a slight touch of iron offered a sharp contrast.

The second and final firing provided a metallic finish. In addition, the scallops provided a tactile sensation as one ran fingers on it.

This vase was placed on consignment at an Art Gallery in Bannockburn, Illinois. As far as I know, that Art Gallery is now non-existent in that area. Hence, I don’t know the ownership or whereabouts of what I call my one-of-a-kind masterpiece.

If you have this vase or you know of anyone who has it, please alert me. I will be more than happy to congratulate you or whoever it maybe.

Thank you.

Romeo